![]() The final bar of the first line is an Fm7 E7. Here the E can be used to lead into an Fm7. The bass line is identical to bar 1 using the triad and the E leading note. On the Bb7 the chord is the same shell-voicing as the A7. Reusing the bassline and adding a tritone sub. The A is harmonized with an A7 that acts as a leading chord to the Bb7 on one of the following bar. The bass line is again all chord tones with an A leading note on beat 4 to take us back to Bb7. You can hear this if you compare to bar 1. The function of having a short stab on a chord like that is more to add to the groove than to make the harmony clear. This adds a bit of variation and makes the line a bit more exciting both melodically and rhythmically. To break up the quarter note bassline I add a D under the Eb that I then use a hammer on to lead into the bar. On beat 4 I have an E as a leading note for Eb. The bass line melody for the rest of the bar is a Bb triad. On the one of the bar, the Root is in the bass and a Bb7(13) voicing is added. The first bar is a prime example of a simple very usable bassline on the Bb7. Includes access to online audio.The analysis of the Bass line and chord voicings The lead guitar parts are taught in Mel Bay's Famous BluesGuitar Lines. The rhythm guitar parts heard on the online audio recording are taught in Mel Bay's 101 Bad to the Bone Blues Guitar Rhythm Patterns. The licks are recordedat a moderate tempo for ease of learning. The accompanying audio, featuring Larry McCabe's Heat-Seeking Missile Blues Band is recorded in stereo with drums and rhythm guitar in the center, bass guitar on the left, and lead guitar on the right. Each example is written in both notation and tablature exactly as it is recorded. By practicing all 50 licksover the same chord progression, students can learn the basic concept of improvisation: how to play a variety of musical phrases over the same chord or chord changes. Each blues bass pattern in this book is played over four bars of C7. This 5 1/2" by 8" QWIKGUIDE is designed to help the bassist become more versatile. By practicing all 50 licksover the same chord progression, students can learn the basic Blues music is a sturdy, adaptable music that reflects many shades of emotions and lends itself to numerous stylistic interpretations. Blues music is a sturdy, adaptable music that reflects many shades of emotions and lends itself to numerous stylistic interpretations. ![]()
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